They’ve announced that Eduardo Mendoza has won this year’s Premio Cervantes, the leading Spanish-language author prize (which has long alternated winners between one from Spain and one from Latin America). Continue reading
In the Times Literary Supplement (2 December 2016) Michael LaPointe reviews several titles dealing with transnational literature — including my very own The Complete Review Guide to Contemporary World Fiction.
A great review, in which he notes:
Orthofer’s Guide, which one can hardly believe was written by a single individual, traces almost every nation’s literature since 1945, with a particular emphasis on the past two decades.
And he suggests it is:
(T)he most complete resource for readers of a transnational bent, interested in further expanding their horizons.
Especially impressive are the chapters on Chinese and Iranian fiction, and adventurous readers will make good on the inclusion of sub-genres
The Jan Michalski Prize for Literature is a CHF50,000 book prize that’s unusual for several reasons. First, it doesn’t differentiate between fiction and non-fiction. Second, it’s willing to consider any title, “irrespective of the language in which it is written”. (In reality, it is somewhat limited, with books generally having to at least be available in a French, German, or English translation, but that’s still much farther-ranging than the International Dublin Literary Award or the Man Booker International Prize, for example.
They’ve now announced this year’s winner: The Physics of Sorrow (by Georgi Gospodinov) — another fine choice (but you already knew that, since both author and book are mentioned in The Complete Review Guide to Contemporary World Fiction).
The International DUBLIN Literary Award is among the more interesting English-language international book prizes. Books are nominated by participating libraries from many (though, alas, far from all) parts of the world — 109 cities in 40 countries for the 2017 prize, apparently — and these nominated titles make up the just-announced 147-title longlist, from which a jury will now select a still-huge shortlist (to be announced 17 April 2017) and then a winning title (21 June 2017). Continue reading
They’re announcing the major French literary prizes this week, and today they named the winners of the two biggest book prizes:
- The prix Goncourt goes to Chanson douce, by Leila Slimani (Gallimard)
- The prix Renaudot goes to Babylone, by Yasmina Reza (Flammarion)
Reza may be better known for her plays (‘Art’, etc.) but has lso written several acclaimed works of fiction.
At El País they asked 50 critics, writers, and booksellers to name the best books written in Spanish over the past quarter of a century, and they’ve now published the list (as a slideshow …) here.
A lot of the usual suspects, and fortunately many of these are available in English already.
The Man Booker Prize is limited to fiction written in English, but now that it’s open to writers from anywhere (it used to be limited to more or less those from the Commonwealth) the contenders tend to be from a greater variety of places, making it a more international award.
At Signature Kate Shatz presents 10 Worldwide Rad Women Writers You Should Know, a solid list of interesting writers from around the world.
Quite a few of them rated a mention in my The Complete Review Guide to Contemporary World Fiction — and Shahrnush Parsipur’s Women without Men, in particular, can be highly recommended.
Yes, I was just the tiniest bit worried that the new Nobel laureate would be a writer of fiction that I had somehow missed and not included in my The Complete Review Guide to Contemporary World Fiction. Well, I didn’t include him — but then he isn’t known for his fiction: they’ve announced that the 2016 Nobel Prize in Literature will be awarded to … Bob Dylan.